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I have never seen one of his plays performed so I am at a distinct disadvantage in being able to judge this or other Wilson plays. His milieu was the Afro-American experience, the American black man in a white world. Troy battles Mr. Troy talks a lot about death: Wilson does not shy away from serious topics. Troy took part of the brother's compensation in order to buy his own house. He's an unsympathetic man, an ex-con, a garbage collector who gets himself promoted to a driver; he's faithless to his loving and faithful wife; he's a blowhard, a taker, and ungiving (coldblooded) to his son Cory.
He always thought he could have been a professional athlete which may be one of his pipe-dreams. His son wants to play ball, and scouts are interested in him, but Troy is too selfish to give the boy a chance.He has taken advantage of his brother Gabriel who wears a steel plate. "Fences" (1987) is part of August Wilson's ten-play Pittsburgh Cycle, set in the 1950's. But at the end Cory sings his father's song. Rose's long final speech to her son Cory about her husband Troy reaches dramatic and eloquent heights that, I think, are worthy of our best playwrights.The protagonist is not heroic, nor was Willy Loman, but Loman's plight was framed in a larger dramatic context than the man himself and seemed to say something more holistic about the American dream and experience.Wilson is painting a picture here of one specific man and of his particular family, not attempting larger implications or universal metaphors.Wilson was a born story-teller who used details and incidents tellingly. Flashes of humor enliven his plays. This is a play that merits more than one reading.
Troy is so full of himself that there's no room there for others. On Broadway this play starred the bigger-than-life actor James Earl Jones as Troy Maxson, a bigger-than-life character. Death by trying to fence him out. And though not playing with a full deck, Gabriel is a Wilsonian prophetic character of a kind seen in his other plays. His son, Lyons, by a previous marriage is looking for handouts, and when he does offer to pay back borrowed money Troy, the ornery one, refuses to accept it.In some ways it is akin to a tragedy, almost like Arthur Miller's "Death of a Salesman," but the play doesn't quite reach the real eloquence or heightened language to take it into the realm of Miller's universal drama. Troy's son defied his father just as Troy defied his father.
Of course, that interview dealt with things near and dear to their hearts on the cultural front and mine as well. Wilson hits the nail on the head here. This is the sixth play in the cycle and the first to reflect that notion that some profound changes were in the offing for black people, not all of them good and not all for the better. Strangely, although I was familiar with the name of the playwright August Wilson and was aware that he had produced a number of plays that were performed at a college-sponsored repertory theater here in Boston I had not seen or read his plays prior to reading the Terkel interview. Surely, some progress toward the goal of racial equality, if not nearly enough, has been made over the last half century since the time period of this play.
This is doubly true in the case of Brother Wilson as his work is purposefully structured as an integrated cycle, and as an intensive dramatic look at the black historical experience of the 20th century that has driven a lot of my own above-mentioned political activism.The action of this play takes place in the mid-1950's in a black neighborhood in Pittsburgh (Wilson's home town) as do most of the plays in the cycle. Our mutual love of the blues, our concerns about the history and fate of black people and the other oppressed of capitalist society and our need to express ourselves politically in the best way we can. Naturally when I read there that one of the plays being discussed was entitled "Ma Rainey's Black Bottom" about the legendary female blues singer from the 1920's I ran out to get a copy of the play. Placing the scene in 1950's Pittsburgh permits him to give a bird's eye view of that great migration of blacks out of the South in the post-World War II period at a time when they are shaking off those old subservient southern roots. I had just been reading his "The Spectator", a compilation of some of his interviews of various authors, actors and other celebrities from his long-running Chicago radio program when I came across an interview that he had with the playwright under review here, August Wilson.
After that remark nothing else really needs to be said. That is not the question. Moreover, this truly reflects how it has been (and how it still is, notwithstanding the Obamaid) in that outer world.I labelled this entry with the headline "Better Days Are Coming." purposefully including the question mark. That play has been reviewed elsewhere in this space but as is my habit when I read an author who "speaks" to me I grab everything I can by him or her to see where they are going with the work.
Both these facts are important in understanding the tensions of the play. Unlike some of the earlier play, however, there is a little ray of hope in the character of Troy's son (by his wife Rose) Cory whose struggle for his own identity with his father and the world is a sub-theme here. The first couple of paragraphs of this review have been used as introduction to other August Wilson Century Cycle plays as well.Okay, blame it on the recently departed Studs Terkel and his damn interview books. The real question is posed by the main character, Troy Maxton, who in his time was something of an exceptional baseball player, but who "came too early" to have it change the fortunes of his life. His reply: "ain't nothing should have ever been too early". Wilson's conceptual framework, as I have mentioned previously in a review of his "Ma Rainey's Black Bottom", is impeccable. The white world, for the most part, except as represented by amorphous outside forces that have the access and control of the resources that blacks need to survive and break out of racial isolation are on the sidelines here. As always, if you get a chance go see this play but, please, at least read it.
For Studs it was the incessant interviews, for me it is incessant political activity and for the late August Wilson it was his incessant devotion to his century cycle of ten plays that covered a range of black experiences over the 20th century. Read the whole cycle. Although Wilson's plays are almost exclusively centered in black life as it is lived in the neighborhood the various trials and tribulations of blacks elsewhere are woven into his story line. And that is as it should be in these plays on the black experience. Wilson is also able to succinctly draw in the questions of white racism (obliquely here), black self-help (as in building that damn fence) , black hatred of whites, black self-hatred, black illusion (that the `lifting' of the white boats was going to end, for blacks, the seemingly permanent Great Depression), black pride (through the link with past black historical figures and with the then current hero, Jackie Robinson, although Troy has some cutting remarks on the status of that figure), the influence of the black church (good or bad), black folk wisdom (as portrayed by Jim Bono, who is more grounded in his memories of his southern roots than the others) and, in the end, the rage just below the surface of black existence (as portrayed here by Troy's brother Gabriel's, a character who epitomizes one of the tragic aspects of black male existence) resulting from a world that not was not made by the characters in this play but took no notice of their long suppressed rage that turned in on itself.
Fences is a fantastic play by August Wilson. It expresses very real emotions and language, and it is an enjoyable read.
My daughter had to read this book as an English class assignment and at times would ask for my input- I had never read any of August Wilson's work -I read the book so that I'd be able to discuss the book with her. I'm really glad I did but a bit sad that I'd just gotten around to Mr. Wilson's work. I enjoyed this book and will make it a point to read others.
Do you want to know what happen. He thinks his son will not able to go to college; they always have fought on something. I chose the book named Fences because this book let me learn a lot on how relationships change between married couples and parents to sons. My family always had argument on something that cause us to get bad temper, no one in the house was happy about what was going on.
He wants his son to play basketball in the college and he puts lot of hope on him, but one day he changes his mind about the dream. The play by August Wilson is about a family life filled with happiness, sad and selfish moments. Go to find out more and you can discuss with me. The only thing I do is pretend nothing happen. Troy always talks to his friend On Friday night.
No one cares about him any more even his best friend. Troy and his son have argues on something, then they change to not talk anymore and his son never come to see him anymore. In the play, a man name Troy Maxson is the household of the family. People see each other everyday, but then their relationship will change, either good or bad, depending on how you see the situation. He wants to let people know he is the leader and can do anything he want.
One time he has done something that makes his family hate him so mach because he destroy the family. I always hear arguments in my house that makes me feel sad; I don't know what to do. So different people have different feeling on their emotion.
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